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The Cosmonauts play funky blues and rock n' roll.
Minneapolis’ The Big Strong Men open the show.
The Pinch play dirty boot rock, that was born in a small garage. Fans of Gomez, The Band, or Crazy Horse are sure to enjoy The Pinch’s dirty boot rock n’roll.
Bonobo Secret Handshake is a politically charged and socially motivated funk, rock and blues band.
Marques Bovre & SoDangYang is a 5-piece band based out of Madison, Wisconsin. Their receipt? Put Bob Dylan, Johnny Cash, St. Francis, Amelia Earhart and Earl Hickey in blender. Shake with fire and ice. Pour into the broken vessels of humanity (salt on rim to taste). Drink.
Invincible Hi-Fi opens the show.
More Than Lights blend funky rock n’ roll with hip hop.
Wook is a local jam band with a bluesy-folk funk style.
The Lucas Cates Band is an original acoustic rock band. Their music includes a wide range of genres, including rock, pop, alt-country, folk, jazz, funk, R&B, jam and more. Fusing three- and occasionally four-part harmonies the band creates a big sound. They are a singer/songwriter group that has the energy of a rock band that jams.
Aaron Williams and the Hoodoo’s music is unwavering. They filter blues, soul, roots, and rock through a prism of emotional authenticity. “The driving guitar and beat are the hallmark of these rocking blues lads. Williams’ guitar licks are sweltering and the groove backing it makes your heart pump quickly...It’s non-stop action…" (Blues Blast Magazine)
“…Ida Jo has been embellishing the pop compositions of local band the Compass Rose with dollops of string work for years now. On her debut CD,"Providence", her use of violin is original and unexpected…a reminder that pop instrumentation still has lots of boundaries to be pushed. To that end, Ida Jo's violin is a welcome shove.” (Rich Albertoni, Isthmus)
Cas Haley’s pop-inflected island grooves and crystalline voice earned him a second-place finish on America’s Got Talent. Elements of soul, blues, and pop swirl through Cas’s strong reggae beats. Meanwhile his lyrics effortlessly balance simple, spiritual truths with thoughtful reflection.
”This Mexican-American all-girl trio mixes rockabilly, country, Texas blues, and a dash of the Smiths (mostly in Nina Diaz's Morrissey-influenced vocals) into a sound that's melancholy and rockin' at once.” (Phil Freeman, All Music Guide)
“There’s no debate that frontwoman Nina Diaz, whose lyrics are often inspired by literary heroes Oscar Wilde and Sylvia Plath and delivered with aplomb, is the star of the group. But the indispensable rhythm section of rock ‘n’ roll lifers Jenn Alva, and Phanie Diaz gives the band much of its boisterous charm. Girl in a Coma is the best bet to put San Antonio back on the charts as the trio of young tattooed Latinas deliver their hybrid of propulsive punk rhythms and edgy pop melodies with refreshing enthusiasm.” (Austin American-Statesman)
Hacienda Press:
“Combining Tex-Mex, straight up rock ‘n’ roll and Americana, Hacienda burst onto the indie-rock scene…Dan Auerbach of The Black Keys produced the band’s debut effort, as well as its latest album. Demonstrating a stronger sense of the band’s garage-rock style...” (NPR’s World Cafe)
Sick of Sarah is a power pop band based in Minneapolis. Their "strong-voiced punky girl-rock" has drawn comparisons to bands such as The Breeders and Sleater-Kinney.
Little Red wolf plays a feisty mix of folk, power-pop, and chamber-rock.
Americana folk rock artist Cory Chisel opens the show.
Bad Luck Booda is an emcee who has been on the scene for sometime now. His songs reflect lessons learned, through savvy wordplay and memorable hooks.
DJ Scrump Boogz will start the night off.
Mark Croft is an award winning original singer/songwriter who performs acoustic rock/pop and folk/Americana with driving hypnotic grooves.
The Antiprism provides mind and string bending stoner/metal that pulls influences from the last 4 decades. Riff driven, stealing a bit from the NWoBHM, but with enough originality & modern metal touches to garner a spot in today's mess. Dual vocals, double bass, sometimes off kilter beats and seasoned trade off leads. Melodic, heavy riffs intertwine with urgent, angry vocals and occult lyrics. The Antiprism explores the wide girth in the middle of the stoner spectrum. Circling metal extremities but never wholly succumbing.
Romero plays melodic stoner/metal with an old school twist. Their front man, Jeffrey Mundt, spent most the 90’s behind the drum kit for a variety of bands including Thug, and punk legends Naked Aggression. With his most recent venture, Romero, Mundt has been putting his long-time guitar play and songwriting to good use.
Revolt Revolt has a sound that recalls classic NW guitar bands in its heavier moments and the best of 90’s indie rock as the hooks & melodies pile in. Dark and brooding in spots, breezy in others, chordata is a self-assured debut by a band just hitting their stride.
The Handphibians play the music of Brasilian Carnaval in live performances that are sure to make your mind take a back seat to your dancing feet! The Handphibians percussion is modeled on the Brasilian baterias of the Escolas de Samba in Rio de Janeiro, Blocos Afros of Salvador, & the Maracatu Nações of Recife. Their music is also naturally influenced by the percussion traditions of Cuba, Africa, and even good ol' Wisconsin.
Tonight The Handphibians will be performing with the Massamba Brazilian Dance Company.
"A Minute Jack Forum charges out of the gate in a rousing combination of indie–rock blues and alt–country rhythms…A Minute Jack Forum’s originals are backed by honest lyrics packing sly truths into good, old–fashioned boogie." (John Noyd, Maximum Ink)
They assembled much of their debut album, I Am the Fun Blame Monster!, by using a computer program dubbed Deeler and developed by one of the bandmembers. The album's unusual packaging was in the form of a flipbook depicting the bandmembers performing. Menomena released it themselves on a very limited basis in 2003, then signed to the Portland independent label FILMguerrero for a national release in October 2004, accompanied by a national tour.
Before signing to Barsuk, the band issued Under an Hour, a three-movement instrumental record that had originally accompanied a 2004 modern dance performance in Portland. Things were a little more straightforward, however, on Friend and Foe (cover art nonwithstanding, which was designed by Craig Thompson, author of the graphic novel Blankets), which came out in early 2007. The band continued with this more focused approach, and in 2010 released their fourth album, Mines.
Brooklyn quartet, Suckers, construct songs around uplifting group chants and harmonies and an at times dub-like, always joyful synth-and-percussion based instrumentation (with some bass providing the low-end, tons of shakers).Scene-wise, you wouldn’t be off placing them square in the colorful, fertile circle of MGMT, Chairlift, and Amazing Baby, based on how they dress.
Tu Fawning is a project of Joe Haege and Corrina Repp. Having collaborated on their own, indvidual projects, Tu Fawning took shape. The end result is a hybrid of their own individual sounds coming together, but it feels and sounds so natural, as well as creating something more than the sum of it's parts.
Repp has found herself finally uninhibited to sing in front of some antiquated tribal music of hymns and ballads. Together, Haege and Repp are fully realizing their palette of piano, drums, percussion, guitar, vocals and samples, mutually and individually, they are finally able to tell the types of stories they have always wanted to, both lyrically and musically.
Informed by Nashville and its intersecting indie, pop, and country scenes—and aware of the twisted tradition of Appalachian roots music that stretches back beyond the Carter Family, Those Darlins are, nevertheless, not of Nashville. They write their own songs, record in New York City with producer Jeff Curtin (whose credits include Vampire Weekend's debut), and talk convincingly about female empowerment, music history, and egalitarian ideals of performance and business. And, in practice, they are rockers. In the backyard of their shared suburban house—which is littered with musical instruments and cast-off whiskey bottles, they stick wires in the spindle holes of old LPs, hang them from the magnolia tree, and shoot them with BB guns. They're good shots.
Combining Devendra Banhart's "new weird American" eccentricity, Flaming Lips-influenced electronic bells and whistles, and a Wilco-esque twanginess, These United States create a musical melting pot that blends together a wide array of influences.
Turbo Fruits at times comes across like Credence Clearwater Revial, if they played at hardcore punk tempos. They let fly with super-strength riffs that are part fuzzed-out roar, part Nashvillian twinkle, and yet never seem to fall back on standard-issue garage-rock retroism.
The Deep Dark Woods approach their instruments with studied respect for the honored traditions of the shadowy side of roots music. Their latest release "Winter Hours" recently won Best Roots Group at the 2009 Western Canadian Music Awards, and Ensemble of the Year at the 2009 Canadian Folk Music Awards.
Elf Power's ninth album, "In A Cave," blasts them past the familiar territories of their previous records and lands them on exciting new terrain. Granted, the Elves' sound is still founded on the bedrock attributes that make them memorable: otherworldly lyrical stances, their easy way with melody, and an overall eclectic approach towards making music. "In A Cave" finds Elf Power filtering their powerful live sound through varied, experimental recording processes and approaches; the new album plays like a spirited, exploratory series of treatments on the tried-and-true Elf Power sound.
Icarus Himself takes the refined distortion of the National Beekeepers and combines it with his wry and quirky vocals to make what can only be categorized as basement tape beauty.
His new EP “Mexico” reviewed by Bryan Sanchez from Delusions Of Adequacy: “…His newest recording, a five-song set of spectacular music, the Mexico EP is everything anyone could have asked for and more. Sounds of folk, disguised as electro-pop, disguised as psych rock, disguised as indie rock propel the release into a strength that's never foreboding. No, instead, Whetro and his two bandmates, new drummer Brad Kolberg and baritone guitar specialist Karl Christenson, spin off as many fantastically drastic twists and modifications to thrill every sense…”
Before signing a record contract in 2007, the band released three albums on its own dime: an eponymous effort in 2003, Field Rexx in 2005, and the highly acclaimed Wild Mountain Nation in 2007. The latter album landed the group a record deal with Sub Pop. Their latest album, Destroyer of the Void, was released in June.
Pearly Gate Music is an incredibly gifted gentleman by the name of Zach Tillman (although he records and usually plays live with a stylistic variety of full-band options), who makes beautiful, challenging, simple-yet-complicated songs structured around his extraordinary singing, vivid lyrics, and unusual melodic sense.
The Blackberry Bushes Stringband is a high energy, soulful, Americana quartet.
The “Bushes” are a band of songwriters with a strong Bluegrass and old-time bend. They have remained loyal to their Ozark, Appalachian, and Mississippi River roots and added just a twist of West coast indie-rock.